Kathleen Jagielski, soprano
Mariana Pino, soprano
Erica Haman, mezzo-soprano
Katherine Sanford, mezzo-soprano
Terrance Johns, tenor
Rameen Chaharbaghi, baritone
Michael Oberhauser, baritone
and
Kayme Henkel, piano
perform the following pieces:
Fêtes galantes, serie I, L80 (1891) Claude Debussy (1862 - 1918)
En sourdine
Fantoches
Clair de lune
Fêtes galantes, serie II, L104 (1904)
Les ingénus
Le faune
Colloque sentimental
Siete canciones populares española (1914) Manuel de Falla (1876 - 1946)
1. El pano moruno
3. Asturiana
6. Nana
7. Polo
Heaven-Haven: A Nun Takes the Veil (2007) Michael Oberhauser
Four Songs (1937) Samuel Barber (1910 - 1891)
1. Nun Takes the Veil
3. Sure on this Shining Night
Bachianas Brasilieras no. 5 (1938) Heitor Villa-Lobos (1887 - 1959)
I. Aria (Cantilena)
II. Dança (Martelo)
Passing By (1981) John Jeffreys (1927 - 2010)
She is All So Slight (1964)
My Little Pretty One (1952)
Orange Afternoon Lover (2006) Lori Laitman (1955 - )
I. Against Still Life
II. I was reading a scientific article
III. I am sitting
Love is Not the Last Room (2011) Michael Oberhauser
1. Introduction
2. On Pilgrimage
7. An Empty Crib
9. Chloris and Fanny
10. When I Would Muse in Boyhood
11. To One Away
18. Near the Wall of a House
This will be a FREE recital. It will last about 90 minutes.
Thursday, July 28, 7:30pm
Calvary Baptist Church
755 8th St. NW
Washington, DC
The church is right by the Gallery Place/Chinatown metro station on the Red and Green lines. There is also a parking garage right next to the church, but the garage is NOT free. Street parking in the area is limited.
DIRECTIONS TO THE CHAPEL:
The church consists of two buildings; a big red building on the corner of H and 8th, and a white building next to that on 8th street. Next to that white building, also on 8th street, is the aforementioned parking garage. The quickest way to the chapel is to take the garage's elevator to floor G2. As you leave the elevator, the chapel will be on your left, but to enter the chapel, you'll have to walk down the hall, make a left at the fork, and then go into the left door.