Michael James Oberhauser
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Well, that's new.

4/27/2012

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I haven't had much time to write in here - for the longest time I didn't have much to write, but then I got a lot to write about - just no time to do it.

First off: In the Fall, I'm starting work toward my Doctorate in Music Composition at the University of Maryland, College Park! I'm very excited to be going back to school.

Second: I finished Temptation, the third mini-opera in the Fallen Angels cycle! I'll talk about this more later, but I'm very proud of it.

Last piece of big news: The three completed operas in the Fallen Angels cycle will be performed in the Capital Fringe Festival this July! I'm so excited about this that I'm giddy. Auditions are in a few weeks (May 12, noon to 4, in case you're interested). 

I've been involved with Fringe before, as a music director (Pasatieri's The Women and Signor Deluso with Opera Alterna in 2008), as a performer (Gorgibus and The Magistrate in Signor Deluso), as composer/music director (Magnum Opus with Opera Alterna in 2009), and also with some producing responsibilities (Magnum Opus). This time, though, I'm producing all on my own. It's... really tough. But rewarding.

Tonight, for example, I directed a photo shoot for the promotional photo for the show. The amazing photographer, my friend Mark Noel, helped us out with this, while Francesca Aguado, Caitlin Budny, and Joshua Brown stepped in as models. It ended up being fun - and pretty easy, once we figured a few things out.

I'll be blogging more about the Fallen Angels process in the Production Blog on the website of the company producing the show: Silver Finch Arts Collective. If I haven't talked to you at all about SFAC, go take a look at the website (which I'm slowly, slowly working on). That'll get you up to speed with some of my ideas, at least.
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Somewhat productive...

2/3/2012

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Well, I'm trying to stick to my New Year's resolutions. I'm having some success, some of the time. Vauge? A little.

I'm throwing all of my effort right now at a new Fallen Angels opera - Temptation. This one deals with Satan tempting Jesus in the desert, only is set in current-day corporate America. The temptation isn't quite what you're expecting, either.

In the other Fallen Angels operas, the "good guy" in the Biblical story becomes the villain in my story - and they usually end up being kind of a jerk. In Temptation, Jesus (or, Joshua in my story) is definitely the antagonist. I had intended to make Joshua just as much of a jerk as Eli, Josephine, and Adam, but he's not, for the most part. The libretto for Temptation is mostly done (more edits will happen as more friends of mine give me suggestions,) and I've started some work on the music, too.

I had some time to kill this week before meeting a friend for dinner, so I found a coffee shop and sat down to write some music without a keyboard or Finale telling me what it sounded like right away. I do this every once in a while - it's a good exercise to get your brain to hear the music you write. I wrote the trio from Temptation, trying my best to imagine what it would sound like. A day or two later I put that into Finale and was mortified. It sounded really difficult and way too dissonant for what I was going for. I decided to keep it, though. Another day or two later I came back, fiddled with the tempo, added dynamics, etc. I didn't change a note, and it already sounds so much better - it sounds like music now. Much closer to what I heard in my head. Dynamics are important!

I'm also sitting on some potentially exciting news, but I don't want to say anything about it yet - don't want to count my chickens before they're hatched! I hope I'm not jinxing it just by saying this.
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Applications, and New Plans

12/22/2011

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So, it's been forever since I wrote in this.

A lot has been going on:

 - After the recital, I finished Lilith, I orchestrated it, then put together a recording session for both Lilith and The Name on the Door. I have great new recordings of each that are up on the specific pages for those pieces. Check them out: Lilith . The Name on the Door

I applied for doctoral programs again. They were due December 1. With work on those and the start of holiday season, I've been pretty busy. The applications are in... and I've already received two rejections. Bummer. But whatever, I have two more. Fingers crossed.

Other big news: I paid the application fee for a spot in the 2012 Capital Fringe Festival. Guess that means I have to finish the application now... by January 6. I'm submitting Lilith, The Name on the Door, and... one other mini-opera from Fallen Angels, which hasn't been written yet. Yep. I still have a lot of work to do. Always.
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